The pictorial work I’m developing now, registers in my whole work and participates in an attitude of experimentation, researches, lucky finds, risks, contradictions, meetings, discoveries, hopes, surprises, come back, advances, perspectives. They all are dynamic elements.

Never mind showing discontinuity of my work, the lack of style, the desire to find a particular style is tranquilizing for every artists, allowing schematic and arbitrary classifications.

To affirm I gave up on kinetics, is but satisfied some easy patterns. I never consider myself as a kinetic painter and I always denied those limited classifications including different work, attitude and behaviour. Everything new or different I’ve created carries a memory of what I’ve done.

One of my consistencies of work I always had: an economy of means.
I tried to reduce the elements of each of my experiments for the results not to be the accumulation of elements but rather the relation of a reduce number of them which would highlight a specific problem.

The recent works are the produce of very simple elements, put in relation in the hope to reveal richness and a particular tension. For that the elements of the painting must be reduced, most anonymous, so the interest is based o an intermediate plan between viewer and the painting and then we obtain a detachment on the visible surface made of forms and colours. So an immaterial presence is floating few centimetres from the painting, behind it, into a world to be discovered.
The experimental field is not only reduced to forms, colours or the mathematics. Some times and because my experiments are the continuity of what I’ve done before, its located in a more subtle field, more vague, more fluctuating which requires a manipulation of elements going further than formal relation.

Those elements are not easy to circumscribe, they have their own life. They appear obvious in one painting, though in other, the effort to apprehend and control them is fruitless.

This difficulty pushed me to pursue my work in that direction like when one penetrates in an unknown area and perceives stimulating signs, a mystery to be revealed or to imagine.